{"id":2273,"date":"2025-04-09T14:04:36","date_gmt":"2025-04-09T07:04:36","guid":{"rendered":"https:\/\/togo.uxper.co\/?page_id=2273"},"modified":"2026-07-20T15:37:54","modified_gmt":"2026-07-20T15:37:54","slug":"about-me","status":"publish","type":"page","link":"https:\/\/rositamariella.com\/es\/about-me\/","title":{"rendered":"Sobre m\u00ed"},"content":{"rendered":"\t\t
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I’m an art historian and researcher at the Universidad Complutense de Madrid. I\u2019m also Content Creator for the platform ARTSVP, specialised in art fairs management, and Curator of experimental and collective workshops.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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In 2024, I was invited for a research residency at the Museo Nacional Centro de Arte Reina Sof\u00eda, and in 2023 I received the First Prize for Young Art Criticism by AMCA (Asociaci\u00f3n\u00a0Madrile\u00f1a de\u00a0Cr\u00edticos de Arte).<\/p>

I’ve presented my work at national and international conferences and published articles in peer-reviewed journals. Check my work below!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Alongside guiding, I\u2019ve worked in the art market, collaborating with galleries and collections in London, and I\u2019m currently working with ARTSVP, a leading platform for art fairs ticketing and VIP entries, where I\u2019m responsible for the digital content and the communication channels.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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My Academic Work<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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My academic research explores how certain dichotomies are not natural categories but cultural constructions reinforced by dominant narratives. I focus on reclaiming the potential of what has traditionally been seen as “negative” , understanding absence, emptiness, failure, error, and precarity not as flaws, but as fertile spaces for resistance, imagination, and transformation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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PhD Research Lines<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Art from Latin America – Latin American Networks (RedCSur) \u2013 Absence \u2013 Archives – Postcolonial and Decolonial Studies – Failure – Capitalist Malaises and Postmodernism \u2013 Precarity \u2013 Capitalism and Consumerism<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Conferences, \nResidencies & Lectures<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\nLa Nueva Figuraci\u00f3n Madrile\u00f1a. Tra arte e mercato.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Interdisciplinary Congress<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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11-12 Febbraio 2026. Invitation to the conference “La ricerca artistica ed il ritorno alla figurazione nel decennio Ottanta. Prospettive critiche e dibattito presente”.\u00a0 Universit\u00e0 degli studi di Ferrara.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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The role of gatekeepers in contemporary art. Mechanisms and influences underpinning changes of value<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Conference<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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23-24 October. Invitation to II Jornadas Internacionales de Mercado del Arte, Universidad Nebrija, Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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La contaminaci\u00f3n del sentido: Pensando desde lo precario, el fracaso y la ausencia\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Conference<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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13 October. Invitation to the Conference Hablarte 2025 organised by AMCA (Asociaci\u00f3n Madrile\u00f1a de Cr\u00edticos de Arte) Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Voids in transmission: Rethinking art historiography through the archive<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Interdisciplinary Congress<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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24-26 September. Invitation to the Conference: Traces, reflections and signs: dynamics of transmission, Universit\u00e0 degli Studi della Campania \u201cLuigi Vanvitelli\u201d, Italia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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What\u2019s Left Unsaid: Voids of the Archive and the Curriculum Vitae<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Conference<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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11 June 2025, Invitation to the Symposium “Absence as Artistic Strategy in Contemporary Art\u201d, Faculty of Humanities, University of Leiden.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Contra el relato can\u00f3nico. Hacia la superaci\u00f3n de paradigmas coloniales en Am\u00e9rica Latina<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Guest Lecturer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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14 March and 13 May 2025, Clases Pr\u00e1ctica de\u00a0Art from 1945 to the Present<\/span><\/i>, <\/span>Bachelor’s Degree in Art History, Academic Year 2024-25, Universidad Complutense, Madrid.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Hablar \"desde all\u00ed\"... aqu\u00ed: un problema de ubicaci\u00f3n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Seminar presentation<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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18<\/span> January 2024,<\/span> Hablar “desde all\u00ed”… aqu\u00ed: un problema de ubicaci\u00f3n<\/span><\/i><\/a>, <\/span>Encuentros en la Quinta, Universidad Complutense de Madrid. Seminar series organised by PhD students of the Department of History of Art.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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First AMCA Prize for Young Art Criticism 2023\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Award<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Winner of the first prize in the 3rd AMCA Prize for Young Art Criticism 2023 for the essay \u201cThe Contamination of Meaning. Cecilia Vicu\u00f1a: Language and New Ways of Inhabiting Space.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Anti-Curriculum Workshop\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Workshop<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Within the framework of research aimed at rethinking failure, carried out during the Tejidos Conjuntivos residency program at the Reina Sof\u00eda Museum, \u201cThe Anti-Curriculum\u201d proposes a critical and reflective exploration of the concept of failure in Western genealogies and in the neoliberal, capitalist, and competitive context in which we live.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Peer-reviewed article in: Journal of Avant-Garde Studies. Tarsila do Amaral - Pioneer of Decolonial Thought.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Publication<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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The article highlights how Tarsila do Amaral’s contribution was crucial to an early approach to decolonization that used the notion of antropofagia to present the colonized in an act of \u2018devouring\u2019 the colonizer, assimilating certain aspects and discarding others to process and build new, independent identities.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ACTA#7 Fisuras - The Nueva Figuraci\u00f3n Madrile\u00f1a<\/i>. A Case Study for Reflection on Art and the Market.pdf\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Publication<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Article published in May 2022 in issue number 7 of the Contemporary Art Journal ACTA, published as part of the Master’s Program in Contemporary Art History and Visual Culture at the Complutense and Autonomous Universities of Madrid in collaboration with the Reina Sof\u00eda Museum.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Curatorial Project: Cr\u00f3nicas de un discurso. La Galer\u00eda Juana Mord\u00f3 en el arte posfranquista<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Curatorial project<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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June 24 \u2013 October 14, 2022
Space D, Library and Documentation Center, Reina Sof\u00eda Museum<\/p>


Curated and produced as part of the Art Theory and Criticism track of the Master’s Degree in Contemporary Art History and Visual Culture, organized by the Autonomous University of Madrid, the Complutense University of Madrid, and the Reina Sof\u00eda Museum.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Nouvelle Vague<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Audiovisual project<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Throughout the 1960s and 70s, intellectuals, artists, and youth globally challenged the boundaries of power and debated individual liberties. Within this changing cultural climate, the films made by the “French New Wave” filmmakers stand as a direct reflection of an anarchic approach to creation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

I’m an art historian and researcher at the Universidad Complutense de Madrid. I\u2019m also Content Creator for the platform ARTSVP, specialised in art fairs management, and Curator of experimental and collective workshops. In 2024, I was invited for a research residency at the Museo Nacional Centro de Arte Reina Sof\u00eda, and in 2023 I received […]<\/p>\n","protected":false},"author":1,"featured_media":9753,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2273","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nMAXWIN77: Daftar Game Online dan Pengalaman Saya<\/title>\n<meta name=\"description\" content=\"Temukan pengalaman saya dengan MAXWIN77 dan daftar game online terbaik. Bergabunglah dan nikmati berbagai permainan yang menarik dan mengasyikkan di platform ini!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rositamariella.com\/es\/about-me\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MAXWIN77: Daftar Game Online dan Pengalaman Saya\" \/>\n<meta property=\"og:description\" content=\"Temukan pengalaman saya dengan MAXWIN77 dan daftar game online terbaik. 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